{"id":2477,"date":"2022-06-21T14:02:22","date_gmt":"2022-06-21T12:02:22","guid":{"rendered":"https:\/\/festivalcircolo.nl\/high-eyes-on-oerol-for-exit\/"},"modified":"2022-08-04T11:04:49","modified_gmt":"2022-08-04T09:04:49","slug":"high-eyes-on-oerol-for-exit","status":"publish","type":"post","link":"https:\/\/festivalcircolo.nl\/en\/high-eyes-on-oerol-for-exit\/","title":{"rendered":"High eyes on Oerol for EXIT"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column offset=&#8221;vc_hidden-sm vc_hidden-xs&#8221;][vc_empty_space height=&#8221;50&#8243;][\/vc_column][\/vc_row][vc_row content_placement=&#8221;bottom&#8221; parallax=&#8221;content-moving&#8221; parallax_image=&#8221;2195&#8243; css=&#8221;.vc_custom_1659009602584{border-radius: 25px !important;}&#8221; el_id=&#8221;headerafbeelding&#8221; el_class=&#8221;headerafbeelding&#8221;][vc_column][vc_empty_space height=&#8221;580&#8243; css=&#8221;.vc_custom_1647337045190{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1653472673658{margin-top: -35px !important;}&#8221;][vc_column offset=&#8221;vc_col-lg-offset-1 vc_col-lg-10 vc_col-md-offset-1 vc_col-md-10&#8243; css=&#8221;.vc_custom_1654605787456{background-color: #ffffff !important;}&#8221; el_id=&#8221;news-content-wrapper&#8221; el_class=&#8221;borderRadiusTop&#8221;][vc_empty_space height=&#8221;20px&#8221;][kalium_breadcrumb][vc_column_text css=&#8221;.vc_custom_1659009657167{padding-top: 30px !important;padding-right: 60px !important;padding-bottom: 30px !important;padding-left: 60px !important;}&#8221; el_id=&#8221;tekstblok&#8221; el_class=&#8221;tekstblok&#8221;]<\/p>\n<h1><b data-stringify-type=\"bold\">EXIT by Piet van Dycke is a big hit at Oerol<\/b><\/h1>\n<p>Filip Tielens of the Belgian Standard named <a href=\"https:\/\/festivalcircolo.nl\/programma\/circumstances-piet-van-dycke\/\">EXIT<\/a> by Piet van Dycke the sensation of the weekend. &#8220;The piece cleverly builds to a breathtaking apotheosis (&#8230;) the performers hoist themselves into the air, slide off the wall, and the four of them seek a balance, which they eventually find.&#8221; Eric Nederkroon of Dagblad van het Noorden is also lyrical: &#8220;EXIT blows you away. It is a combination of dance and circus, with four loners who, after initial resistance, need each other to find balance in their lives. Bleating sheep and an audience cheering from relief. 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