{"id":7951,"date":"2025-09-23T15:47:54","date_gmt":"2025-09-23T13:47:54","guid":{"rendered":"https:\/\/festivalcircolo.nl\/a-warm-reunion-julia-campistany-returns-to-circolo-with-cirquemetrage\/"},"modified":"2025-09-23T16:00:05","modified_gmt":"2025-09-23T14:00:05","slug":"a-warm-reunion-julia-campistany-returns-to-circolo-with-cirquemetrage","status":"publish","type":"post","link":"https:\/\/festivalcircolo.nl\/en\/a-warm-reunion-julia-campistany-returns-to-circolo-with-cirquemetrage\/","title":{"rendered":"A Warm Reunion: J\u00falia Campistany Returns to Circolo with Cirquem\u00e9trage"},"content":{"rendered":"

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A Warm Reunion: J\u00falia Campistany Returns to Circolo with Cirquem\u00e9trage <\/i><\/b><\/h1>\n

J\u00falia Campistany, a familiar face at Festival Circolo, is returning to the stage in 2025. In 2023, the Catalan artist, who now calls the Netherlands home, captivated audiences with her show, Peluda<\/i>. This fall, she’s back with a brand-new project: a fresh creation titled Cirquem\u00e9trage<\/i>.The performance will have its premiere at Festival Circolo, and this year, the festival is not only hosting the show but is also a proud co-producer. Cirquem\u00e9trage is part of the Nieuwe Makers trajectory, a program that Festival Circolo partners with. It’s time to introduce the maker and the story behind this extraordinary production. <\/b><\/p>\n

Campistany style<\/b><\/p>\n

J\u00falia Campistany is \u00fanica en su especie<\/i> (or, as the English say: one of a kind). Like no other, she blends theatrical performance, circus, humor, and emotion into the most flavorful circus creations. A captivating blend of circus and theatre. that not only delivers visual spectacle, but also moves you deeply. <\/p>\n

\u201cFor me, circus is the possibility of expression. I get my inspiration from topics that inspire or concern me and society, and I weave that into my shows with humor and poetry,\u201d she explains. \u201cI wish the audience not only to be impressed, but that what they see can resonate with them, stay alive beyond the performance, and perhaps even awaken something within.\u201d <\/p>\n

J\u00falia has a deep love for the trapeze and a fascination with mouth balancing, a circus discipline in which she balances objects using her mouth. \u201cMouth balancing is such a refined, almost meditative technique. It demands immense concentration,\u201d says Campistany. \u201cThat focus and balance have intrigued me from the very beginning.\u201d <\/p>\n

Cirquem\u00e9trage<\/i><\/b><\/p>\n

Whether it’s aerial work, mouth balancing, or clowning, J\u00falia Campistany approaches each project by exploring new forms and a new physical language. Her performances are never repetitions, but surprising new chapters in an idiosyncratic artistic universe. <\/p>\n

In Cirquem\u00e9trage<\/i>, her latest creation, she mixes in all sorts of unexpected ingredients \u2013 from hints of magie nouvelle <\/i>to absurdism and office nostalgia. The result is a fascinating piece that plays with themes like labor, capitalism, and daily routines. <\/p>\n

\u201cCirquem\u00e9trage<\/i> is a circus capsule. A small piece that takes place in an office. I took inspiration from a picture from the office my parents used to work in,\u201d J\u00falia shares. \u201cI grew up with their stories about the 9-to-5 grind. Work defines us, but it can also drain us. Cirqu\u00e9m\u00e9trage<\/i> portrays a battle against the monotony of daily life, reflecting on our obsession with productivity, the absurdity of routine, and the fine line between ambition and self- destruction. It is dedicated to all those who work tirelessly, day in and day out, to provide for the ones they love.\u201d <\/p>\n

A desk, an ashtray, and a childhood photo<\/b><\/p>\n

Visually, the show exudes a nostalgic retro atmosphere \u2013 like watching an old film. That cinematic quality is embedded right in the title: Cirquem\u00e9trage<\/i> is a mashup of cirque <\/i>and court m\u00e9trage<\/i> (French for \u2018circus\u2019 and \u2018short film\u2019). <\/p>\n

\u201cI was inspired by the aesthetics of cinema and the structure of short films. I wanted to translate that feeling into a compact circus performance\u2014like watching a surreal short film unfold live.\u201d And she\u2019s succeeded. Cirquem\u00e9trage<\/i> has a sharp, cinematic edge, soaked in a vintage vibe. <\/p>\n

The set design was even partially inspired by an old photo of her mother\u2019s workplace. \u201cIn that picture you see a desk, an ashtray, a corner of an old computer, red desk lamps… and if you look closely: a tiny photo of me as a child, tucked in a pen holder. That image became the starting point for the entire aesthetic.\u201d <\/p>\n

Creative co-conspirators<\/b><\/p>\n

Cirquem\u00e9trage<\/i> is special not only because it will premiere at Festival Circolo, but also because we were lucky enough to be part of J\u00falia\u2019s creative process. She\u2019s currently part of the Nieuwe Makers (New Makers) program, supported by the Performing Arts Fund NL, Festival Circolo, and Werkplaats Dommelhof. <\/p>\n

Through this program, she\u2019s been able to develop her show with support from Circolo as co-producer and creative sparring partner. \u201cWe work in a solid collaboration\u201d, J\u00falia says about the partnership. \u201cCircolo believes in my vision, and they give me the space and trust to experiment. We constantly exchange ideas \u2013 it really is a mutual relationship.\u201d <\/p>\n

Artistic director Lucho Smit of Festival Circolo mentors Campistany as part of the Nieuwe Makers program. \u201cLucho has a lot of experience as a circus artist. I trust him and I enjoy working with him in the studio. Working together during the composition phase and his feedback made Cirquem\u00e9trage<\/i> stronger,\u201d she explains . <\/p>\n

\u201cI\u2019m deeply grateful to everyone who helped create this show with me, and to those who continue to support it. I couldn\u2019t do this on my own.\u201d Behind the scenes, a close-knit team is helping bring the piece to life \u2013 from Sandra Smits from the production platform Buro Piket to stage operator and creative partner Saana Tolonen, lighting designers Tom Heintz and Jolein Kop from Heintz & Kop and outside eyes like Luuk Brantjes, Alexis Rouvre and Lucho Smit, and scenography by the team from the Atelier of Werkplaats Dommelhof. There\u2019s a whole team that believes in this show. From the technical crew to the artistic support \u2013 everyone is thinking along. That\u2019s so valuable for a maker.\u201d <\/p>\n

Welcome to the office<\/b><\/p>\n

With Cirquem\u00e9trage<\/i>, J\u00falia Campistany embarks on a new path \u2013 without losing her unmistakable style. Festival Circolo 2025 is proud to host the premi\u00e8re, and both we and J\u00falia can\u2019t wait. <\/p>\n

\u201cI\u2019m really looking forward to sharing Cirquem\u00e9trage<\/i> with the audience,\u201d she says. \u201cUltimately, I create circus pieces to move people. It\u2019s only when the audience watches and experiences it with me that the show truly comes alive.\u201d <\/p>\n

Even her parents haven\u2019t seen the show yet. \u201cThey know about it, of course \u2013 but I\u2019m hoping they\u2019ll see it for the first time at Circolo. That would mean a lot to me.\u201d <\/p>\n

We warmly invite you to step into J\u00falia\u2019s world at Festival Circolo 2025. Put on your best office attire and don\u2019t forget to clock in \u2013 we expect you at our desk on October 17, 18, or 19. [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”80″][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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